This piece explores three contrasting forms while introducing an intermediate level concert band to harmonic and textural elements from the avant-garde without being overwhelming. Written for the PMC Concert Band.

Improvised during a multimedia "doodle-jam" using a quickly generated set of pitches. This piece was in response to a highly structural piece of prose which was used to generate the pitches used in this improvisation.

Written for the soundSCAPE festival, this piece explores idiomatic textures of each instrument and how the other can echo those sounds. Fragmentation, transition and space are important structural elements in this piece.

Written as part of a survey of computer music software, the single sound of this piece is divided into 4 discrete octaves and is each governed by a different mathematical function. The structure of the piece is defined by these functions and is varied using stochastic methods that make each realization of the piece different.

This piece explores the juxtaposition of analogue and digital electroacoustic techniques. The narrative of the piece begins with the two elements presented apart in the space (originally in 8 speakers but realized in stereo). The analogue half is controlled by live performers and the digital half is automated. Gradual change is the primary structural aspect of this piece.

The title of this piece describes the lines that the four distinct textures weave throughout the structure of the piece. Each texture is derived from one of the four instruments: piano, muted piano, pitched percussion and un-pitched percussion. Each texture has a point of crystallization that define the structure of the piece.